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Creepy #75 |
Creepy v1 #75, 1975 - Billed as a collection of macabre classics, this issue also features some the best artists of the bronze age.
Wally Wood tells the tale of survival during a future Earth's frozen apocalypse. He tries his best to impro
ve Rich Buckler's mediocre pencils, but sadly falls short.
Alex Toth's story centers around an amusement park serial killer. Set during the 1930s, the characters and settings are a perfect match for the artist's traditional style. Perhaps the most contr
oversial tale is Neal Adams' "Thrillkill", in which a sniper kills random people from atop a city building. The violence and palpable and disturbing. The artist's sharply drawn, realistic style makes it even more so. Finally,
Bernie Wrightson provides a dependably drawn introduction, featuring host Uncle Creepy at his ghoulish best. Note that Adams' work was later reprinted in
Eerie v3 #125, Toth's in
Creepy #139, and both were reprinted in in
Creepy #91. Other artists in this bronze age magazine include John Severin. This is 5 of 5
Creepy issues by
Adams and 5 of 15 Creepy issues by
Toth, 4 of 5 Creepy issues by
Wood and 11 of 19 Creepy issues by Wrightson. ///
Wrightson gallery
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Wrightson inside front cover pencils and inks (duotone) = ***
"Phantom of Pleasure Island" Toth story pencils and inks 8 pages = ***
"Snow" Wood story inks (Rich Buckler pencils) 7 pages = **
"Thrillkill" Adams story pencils and inks 8 pages = ***
(All stories in black and white)
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Alex Toth |
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Neal Adams |
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